翻訳と辞書
Words near each other
・ Live at the Tracking Room
・ Live at the Tractor Tavern
・ Live at The Trades
・ Live at the Treehouse
・ Live at The Triple Door
・ Live at The Triple Door (Skerik's Syncopated Taint Septet)
・ Live at The Triple Door (The Courage album)
・ Live at the Troubadour
・ Live at the Troubadour (Carole King and James Taylor)
・ Live at the Troubadour (Kevin Gilbert & Thud)
・ Live at the Troubadour 1969
・ Live at the Union Chapel
・ Live at the Unitarian Church
・ Live at the US Festival
・ Live at the Velvet Lounge
Live at the Velvet Lounge Volume III
・ Live at The Venetian – Las Vegas
・ Live at the Ventura Beach California
・ Live at the Ventura Theater
・ Live at the Ventura Theatre
・ Live at the Ventura Theatre (Switchfoot DVD)
・ Live at the Verge
・ Live at the Village Vanguard
・ Live at the Village Vanguard (Chucho Valdés album)
・ Live at the Village Vanguard (Dizzy Gillespie album)
・ Live at the Village Vanguard (Elvin Jones album)
・ Live at the Village Vanguard (George Adams & Don Pullen album)
・ Live at the Village Vanguard (Geri Allen album)
・ Live at the Village Vanguard (Junko Onishi album)
・ Live at the Village Vanguard (Marc Ribot album)


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Live at the Velvet Lounge Volume III : ウィキペディア英語版
Live at the Velvet Lounge Volume III

''Live at the Velvet Lounge Volume Three'' is an album by American jazz saxophonist Fred Anderson which was recorded during the 2007 Chicago Asian American Jazz Festival at the club owned by Anderson, the Velvet Lounge, and released on the Asian Improv label. Anderson's Quartet features San Franciscan saxophonist Francis Wong, drummer Chad Taylor and bassist Tatsu Aoki.
==Reception==

The All About Jazz review by Jeff Stockton states "On second saxophone, Wong sounds like an Anderson student, his lines just a little bit less weighty than the mentor's but equally well-thought-out and coherent, seamlessly complementing Anderson's lead."〔Stockton, Jeff. (''Live at the Velvet Lounge Volume III'' review ) at All About Jazz
In an article for the ''Chicago Reader'' Bill Meyer notes that "Anderson and Wong have similar tones but contrasting styles: Anderson is more rhythmic and gives each note in his dancing figures an individual emphasis, while Wong works slurs and eerie vocalizations in his horn’s upper register."〔Meyer, Bill. (''Fred Anderson Quartet'' ) at ''Chicago Reader''〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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